“Credo” from St. Francis in the Americas: A Caribbean Mass
Format: Octavo
Baritone Solo, SATB choir, Percussion, Seconds and Bass Steel Pans
($2.50 per singer + $25 accompaniment)
Unlike the mysterious nature of the “Gloria,” the “Credo” is a powerful, confident statement. The soloist sings over a pulsating salsa rhythm. The complex overlapping drum rhythms are combined with a subtle rhythm pattern sung by the choir. In this way, the choir becomes another rhythm instrument. The overall form, a twelve bar blues chord progression, makes an additional reference to the African contributions to Latin American cultures while hand clapping refers back to the contributions of Spanish music culture.
This original arrangement of the St. Francis in the Americas: A Caribbean Mass St. Francis in the Americas: A Caribbean Mass(SATB, Steel band-includes 4 steel pan parts & percussion)– premiered 1992. This 45-minute world music Mass explores the mixing of African, Spanish, and Indigenous cultures in the Caribbean. Writings by St. Francis of Assisi are woven into the fabric of the traditional Latin Mass and framed by vibrant rhythms (samba, salsa, calypso, and more). The Kyrie from this Mass has enjoyed an extensive performance history in the US (including Carnegie Hall, Lincoln Center and the World Symposium of Choral Musicians in Minneapolis) and around the world. Anton Armstrong of St. Olaf University, André Thomas of Florida State University, and Francisco Núñez of the Young People’s Chorus of NYC (and MacArthur Award Winner) are among some of the finest conductors to champion this work. This work is highly adaptable to both concert and liturgical settings. A reduced arrangement is available with one steel drum, piano, percussion. Some movements available in SSA and TTB – contact McClure Productions for more information.

